Excerpt from the novel Neuromancer by William Gibson

     Cyberspace, as the deck presented it, had no particular relationship with the deck’s physical whereabouts. When Case jacked in, he opened his eyes to the familiar configuration of the Eastern Seaboard Fission Authority’s Aztec pyramid of data.
     “How you doing, Dixie?”
     “I’m dead, Case. Got enough time in on this Hosaka to figure that one.”
     “How’s it feel?”
     “It doesn’t.”
     “Bother you?”
     “What bothers me is, nothin’ does.”
     “How’s that?”
     “Had me this buddy in the Russian camp, Siberia, his thumb was frostbit. Medics came by and they cut it off. Month later he’s tossin’ all night. Elroy, I said, what’s eatin’ you? Goddam thumb’s itchin’, he says. So I told him, scratch it. McCoy, he says, it’s the other goddam thumb.” When the construct laughed, it came through as something else, not laughter, but a stab of cold down Case’s spine. “Do me a favor, boy.”
     “What’s that, Dix?”
     “This scam of yours, when it’s over, you erase this goddam thing.”

Excerpt from the novel Neuromancer by William Gibson

     Case sat in the loft with the dermatrodes strapped across his forehead, watching motes dance in the diluted sunlight that filtered through the grid overhead. A countdown was in progress in one corner of the monitor screen.
     Cowboys didn’t get into simstim, he thought, because it was basically a meat toy. He knew that the trodes he used and the little plastic tiara dangling from a simstim deck were basically the same, and that the cyberspace matrix was actually a drastic simplification of the human sensorium, at least in terms of presentation, but simstim itself struck him as a gratuitous multiplication of flesh input. The commercial stuff was edited, of course, so that if Tally Isham got a headache in the course of a segment, you didn’t feel it.
     The screen bleeped a two-second warning.
     The new switch was patched into his Sendai with a thin ribbon of fiberoptics.
     And one and two and—
     Cyberspace slid into existence from the cardinal points. Smooth, he thought, but not smooth enough. Have to work on it….
     Then he keyed the new switch.
     The abrupt jolt into other flesh. Matrix gone, a wave of sound and color…. She was moving through a crowded street, past stalls vending discount software, prices feltpenned on the sheets of plastic, fragments of music from countless speakers. Smells of urine, free monomers, perfume, patties of frying krill. For a few frightened seconds he fought helplessly to control her body. Then he willed himself into passivity, became the passenger behind her eyes.
     The glasses didn’t seem to cut down the sunlight at all. He wondered if the built-in amps compensated automatically. Blue alphanumerics winked the time, low in her left peripheral field. Showing off, he thought.
     Her body language was disorienting, her style foreign. She seemed continually on the verge of colliding with someone, but people melted out of her way, stepped sideways, made room.
     “How you doing, Case?” He heard the words and felt her form them. She slid a hand into her jacket, a fingertip circling a nipple under warm silk. The sensation made him catch his breath. She laughed. But the link was one-way. He had no way to reply.
     Two blocks later, she was threading the outskirts of Memory Lane. Case kept trying to jerk her eyes toward landmarks he would have used to find his way. He began to find the passivity of the situation irritating.
     The transition to cyberspace, when he hit the switch, was instantaneous. He punched himself down a wall of primitive ice belonging to the New York Public Library, automatically counting potential windows. Keying back into her sensorium, into the sinuous flow of muscle, senses sharp and bright.
     He found himself wondering about the mind he shared these sensations with. What did he know about her? That she was another professional; that she said her being, like his, was the thing she did to make a living. He knew the way she’d moved against him, earlier, when she woke, their mutual grunt of unity when he’d entered her, and that she liked her coffee black, afterward….
     Her destination was one of the dubious software rental complexes that lined Memory Lane. There was a stillness, a hush. Booths lined a central hall. The clientele were young, few of them out of their teens. They all seemed to have carbon sockets planted behind the left ear, but she didn’t focus on them. The counters that fronted the booths displayed hundreds of slivers of microsoft, angular fragments of colored silicon mounted under oblong transparent bubbles on squares of white cardboard. Molly went to the seventh booth along the south wall. Behind the counter a boy with a shaven head stared vacantly into space, a dozen spikes of microsoft protruding from the socket behind his ear.
     “Larry, you in, man?” She positioned herself in front of him. The boy’s eyes focused. He sat up in his chair and pried a bright magenta splinter from his socket with a dirty thumbnail.
     “Hey, Larry.”
     “Molly.” He nodded.
     “I have some work for some of your friends, Larry.”
     Larry took a flat plastic case from the pocket of his red sportshirt and flicked it open, slotting the microsoft beside a dozen others. His hand hovered, selected a glossy black chip that was slightly longer than the rest, and inserted it smoothly into his head. His eyes narrowed.
     “Molly’s got a rider,” he said, “and Larry doesn’t like that.”
     “Hey,” she said, “I didn’t know you were so… sensitive. I’m impressed. Costs a lot, to get that sensitive.”
     “I know you, lady?” The blank look returned. “You looking to buy some softs?”
     “I’m looking for the Moderns.”
     “You got a rider, Molly. This says.” He tapped the black splinter. “Somebody else using your eyes.”
     “My partner.”
     “Tell your partner to go.”
     “Got something for the Panther Moderns, Larry.”
     “What you talking about, lady?”
     “Case, you take off,” she said, and he hit the switch, instantly back in the matrix. Ghost impressions of the software complex hung for a few seconds in the buzzing calm of cyberspace.
     “Panther Moderns,” he said to the Hosaka, removing the trodes. “Five minute precis.”
     “Ready,” the computer said.
     It wasn’t a name he knew. Something new, something that had come in since he’d been in Chiba. Fads swept the youth of the Sprawl at the speed of light; entire subcultures could rise overnight, thrive for a dozen weeks, and then vanish utterly. “Go,” he said. The Hosaka had accessed its array of libraries, journals, and news services.
     The precis began with a long hold on a color still that Case at first assumed was a collage of some kind, a boy’s face snipped from another image and glued to a photograph of a paint-scrawled wall. Dark eyes, epicanthic folds obviously the result of surgery, an angry dusting of acne across pale narrow cheeks. The Hosaka released the freeze; the boy moved, flowing with the sinister grace of a mime pretending to be a jungle predator. His body was nearly invisible, an abstract pattern approximating the scribbled brickwork sliding smoothly across his tight onepiece. Mimetic polycarbon.
     Cut to Dr. Virginia Rambali, Sociology, NYU, her name, faculty, and school pulsing across the screen in pink alphanumerics.
     “Given their penchant for these random acts of surreal violence,” someone said, “it may be difficult for our viewers to understand why you continue to insist that this phenomenon isn’t a form of terrorism.”
     Dr. Rambali smiled. “There is always a point at which the terrorist ceases to manipulate the media gestalt. A point at which the violence may well escalate, but beyond which the terrorist has become symptomatic of the media gestalt itself. Terrorism as we ordinarily understand it is inately media-related. The Panther Moderns differ from other terrorists precisely in their degree of self-consciousness, in their awareness of the extent to which media divorce the act of terrorism from the original sociopolitical intent….”
     “Skip it,” case said.