The Ghost of Rationality

Excerpt from the novel Zen and the Art of Motorcycle Maintenance icon-external-link-12x12 icon-search-12x12 by Robert M. Parsig icon-external-link-12x12 icon-search-12x12

Robert M. Pirsig's "Zen and the Art of Motorcycle Maintenance" book cover. [Formatted]

     Some things can be said about Phaedrus as an individual:
     He was a knower of logic, the classical system-of-the-system which describes the rules and procedures of systematic thought by which analytic knowledge may be structured and interrelated. He was so swift at this his Stanford-Binet IQ, which is essentially a record of skill at analytic manipulation, was recorded at 170, a figure that occurs in only one person in fifty thousand.
     He was systematic, but to say he thought and acted like a machine would be to misunderstand the nature of his thought. It was not like pistons and wheels and gears all moving at once, massive and coordinated. The image of a laser beam comes to mind instead; a single pencil of light of such terrific energy in such extreme concentration it can be shot at the moon and its reflection seen back on earth. Phaedrus did not try to use his brilliance for general illumination. He sought one specific distant target and aimed for it and hit it. And that was all. General illumination of that target he hit now seems to be left for me.
     In proportion to his intelligence he was extremely isolated. There’s no record of his having had close friends. He traveled alone. Always. Even in the presence of others he was completely alone. People sometimes felt this and felt rejected by it, and so did not like him, but their dislike was not important to him.
     His wife and family seem to have suffered the most. His wife says those who tried to go beyond the barriers of his reserve found themselves facing a blank. My impression is that they were starved for some kind of affection which he never gave.
     No one really knew him. That is evidently the way he wanted it, and that’s the way it was. Perhaps his aloneness was the result of his intelligence. Perhaps it was the cause. But the two were always together. An uncanny solitary intelligence.
     This still doesn’t do it though, because this and the image of a laser beam convey the idea that he was completely cold and unemotional, and that is not so. In his pursuit of what I have called the ghost of rationality he was a fanatic hunter.
     One fragment becomes especially vivid now of a scene in the mountains where the sun was behind the mountain half an hour and an early twilight had changed the trees and even the rocks to almost blackened shades of blue and grey and brown. Phaedrus had been there three days without food. His food had run out but he was thinking deeply and seeing things and was reluctant to leave. He was not far away from where he knew there was a road and was in no hurry.
     In the dusk coming down the trail he saw a movement and then what seemed to be a dog approaching on the trail, a very large sheep dog, or an animal more like a husky, and he wondered what would bring a dog to this obscure place at this time of evening. He disliked dogs, but this animal moved in a way that forestalled these feelings. It seemed to be watching him, judging him. Phaedrus stared into the animal’s eyes for a long time, and for a moment felt some kind of recognition. Then the dog disappeared.
     He realized much later it was a timber wolf, and the memory of this incident stayed with him a long time. I think it stayed with him because he had seen a kind of image of himself.
     A photograph can show a physical image in which time is static, and a mirror can show a physical image in which time is dynamic, but I think what he saw on the mountain was another kind of image altogether which was not physical and did not exist in time at all. It was an image nevertheless and that is why he felt recognition. It comes to me vividly now because I saw it again last night as the visage of Phaedrus himself.
     Like that timber wolf on the mountain he had a kind of animal courage. He went his own way with unconcern for consequences that sometimes stunned people, and stuns me now to hear about it. He did not often swerve to right or to left. I’ve discovered that. But this courage didn’t arise from any idealistic idea of self-sacrifice, only from the intensity of his pursuit, and there was nothing noble about it.
     I think his pursuit of the ghost of rationality occurred because he wanted to wreak revenge on it, because he felt he himself was so shaped by it. He wanted to free himself from his own image. He wanted to destroy it because the ghost was what he was and he wanted to be free from the bondage of his own identity. In a strange way, this freedom was achieved.
     This account of him must sound unworldly, but the most unworldly part of it all is yet to come. This is my own relationship to him. This has been forestalled and obscured until now, but nevertheless must be known.
     I first discovered him by inference from a strange series of events many years ago. One Friday I had gone to work and gotten quite a lot done before the weekend and was happy about that and later that day drove to a party where, after talking to everybody too long and too loudly and drinking way too much, went into a back room to lie down for a while.
     When I awoke I saw that I’d slept the whole night, because now it was daylight, and I thought, “My God, I don’t even know the name of the hosts!” and wondered what kind of embarrassment this was going to lead to. The room didn’t look like the room I had lain down in, but it had been dark when I came in and I must have been blind drunk anyway.
     I got up and saw that my clothes were changed. These were not the clothes I had worn the night before. I walked out the door, but to my surprise the doorway led not to rooms of a house but into a long corridor.
     As I walked down the corridor I got the impression that everyone was looking at me. Three different times a stranger stopped me and asked how I felt. Thinking they were referring to my drunken condition I replied that I didn’t even have a hangover, which caused one of them to start to laugh, but then catch himself.
     At a room at the end of the corridor I saw a table where there was activity of some sort going on. I sat down nearby, hoping to remain unnoticed until I got all this figured out. But a woman dressed in white came up to me and asked if I knew her name. I read the little name clip on her blouse. She didn’t see that I was doing this and seemed amazed, and walked off in a hurry.
     When she came back there was a man with her, and he was looking right at me. He sat down next to me and asked me if I knew his name. I told him what it was, and was as surprised as they were that I knew it.
     “It’s very early for this to be happening,” he said.
     “This looks like a hospital,” I said.
     They agreed.
     “How did I get here?” I asked, thinking about the drunken party. The man said nothing and the woman looked down. Very little was explained.
     It took me more than a week to deduce from the evidence around me that everything before my waking up was a dream and everything afterward was reality. There was no basis for distinguishing the two other than the growing pile of new events that seemed to argue against the drunk experience. Little things appeared, like the locked door, the outside of which I could never remember seeing. And a slip of paper from the probate court telling me that some person was committed as insane. Did they mean me?
     It was explained to me finally that “You have a new personality now.” But this statement was no explanation at all. It puzzled me more than ever since I had no awareness at all of any “old” personality. If they had said, “You are a new personality,” it would have been much clearer. That would have fitted. They had made the mistake of thinking of a personality as some sort of possession, like a suit of clothes, which a person wears. But apart from a personality what is there? Some bones and flesh. A collection of legal statistics, perhaps, but surely no person. The bones and flesh and legal statistics are the garments worn by the personality, not the other way around.
     But who was the old personality whom they had known and presumed I was a continuation of?
     This was my first inkling of the existence of Phaedrus, many years ago. In the days and weeks and years that have followed, I’ve learned much more.
     He was dead. Destroyed by order of the court, enforced by the transmission of high-voltage alternating current through the lobes of his brain. Approximately 800 mills of amperage at duration of 0.5 to 1.5 seconds had been applied on twenty-eight consecutive occasions, in a process known technologically as “Annihilation ECS.” A whole personality had been liquidated without a trace in a technologically faultless act that has defined our relationship ever since. I have never met him. Never will.
     And yet strange wisps of his memory suddenly match and fit this road and desert bluffs and white-hot sand all around us and there is a bizarre concurrence and then I know he has seen all of this. He was here, otherwise I would not know it. He had to be. And in seeing these sudden coalescences of vision and in recall of some strange fragment of thought whose origin I have no idea of, I’m like a clairvoyant, a spirit medium receiving messages from another world. That is how it is. I see things with my own eyes, and I see things with his eyes too. He once owned them.
     These EYES! That is the terror of it. These gloved hands I now look at, steering the motorcycle down the road, were once his! And if you can understand the feeling that comes from that, then you can understand real fear—the fear that comes from knowing there is nowhere you can possibly run.

“He Didn’t Even Say ‘Please’”

Excerpt from the novel Rising Storm icon-external-link-12x12 icon-search-12x12 by S.M. Stirling icon-external-link-12x12 icon-search-12x12

S.M. Stirling's "Rising Storm" book cover. [Formatted]

MONTANA

     Crack.
     The Terminator raised its head, scanning in the visual and infrared. The sound had been a medium-caliber rifle with a 98 percent probability of being a hunting weapon; it had been fired approximately 1.2 kilometers to the northeast.
     It turned and walked in that direction, wading through a knee-high stream of glacially cold water, then through open pine forest. Animals fell silent as they scented its approach; that might alert the humans, and so might the unavoidable crackling of fallen branches under its five-hundred-pound weight. Otherwise it made little disturbance in the environment as it passed, dipping and bending with eerie grace to avoid the standing vegetation.
     The two hunters—poachers, given that this was out of season, at night, and on private property—were stringing the deer up to a branch and preparing to butcher it. They turned with startled speed as the Terminator approached over the last ten yards. One wrinkled his nose.
     “Hell, what’s that smell, man?” the shorter one said.
     The Terminator’s machine mind drew a wire diagram over them both. The larger human’s clothes would be suitable; its own were saturated with decay products. If they did not see him clearly, there would be no need to arouse potential attention by terminating them. At present, both orders and its own estimation of the proper maximization of mission goals indicated stealth tactics.
     “You,” it said. “Fat man. Lay down your weapons, give me your clothes and boots, and then go away. This is private property.”
     The flat gravel of his voice seemed to paralyze both men for an instant. Then the bigger of the two spoke. “What did you say?”
     “I said: You, Fat man. Lay down your weapons, give me your clothes and boots, and then go away. This is private property.”
     “The hell you say!”
     The bigger man’s accent held a good deal of Western twang, overlaying something else—the Terminator’s speech-recognition software estimated his birthplace as within twenty kilometers of Newark, New Jersey.
     “He didn’t even say ‘please,'” the smaller man put in.
     “Please,” the Terminator added.
     “Mister, your ideas stink worse than you do,” the bigger man said, and reached for the angle-headed flashlight at his belt.
     “Don’t turn on that light.”
     “The hell you say!”
     The light speared out and shone full on the Terminator’s face, glittering in the reflective lenses no longer hidden by false flesh, highlighting the shreds of rotten skin hanging from his lips and the white teeth behind.
     A sharp smell of urine and feces reached the Terminator’s chemoreceptors from the smaller man. The bigger snatched up his rifle—Arms Tech Ltd. TTR-700 sniper-weapon system, the Terminator’s data bank listed—and fired. The hollow-point 7.62mm round flattened against one of the pseudo-ribs of the Terminator’s thorax and peened off into the darkness. The T-101 stepped forward three paces as the poacher struggled to work the bolt of his rifle and snatched it out of his hand, tearing off one finger as it came. A blow with his fist between the eyes disposed of the big hunter, and it stooped to pick up a rock for the second, who was fleeing in a blundering rush through the night. The rock left the Terminator’s hand at over a hundred meters per second, and transformed the back of the smaller man’s head to bone fragments and mush.
     The Terminator appropriated the big man’s hunting jacket and hat as well as his boots. Then it dragged the two corpses deep into the woods for the wild animals to finish off; after a thoughtful pause it carved a short slogan into their chests with a hunting knife: PEOPLE FOR THE ETHICAL TREATMENT OF ANIMALS.
     Their truck’s windows were only partially darkened, so that the driver could still be seen, but dimly. It found a pair of sunglasses on the dash and put them on, trimmed away the strips dangling from its lips, started the engine, and began to drive. Except for the smell and the Band-Aid on its nose that hid exposed steel, it could pass for human again, in a dim light and as long as the human didn’t get too close.

I Tried Levitation, and Flying in Formation

Falling Down icon-external-link-12x12 icon-search-12x12 (track 02 from the Raoul and the Kings of Spain LP by Tears for Fears icon-external-link-12x12 icon-search-12x12 )

Tears for Fears' "Raoul and the Kings of Spain" album cover. [Formatted]

Is this world spinning round?
Has this ship run aground?
What’s that shape?
What’s that sound?
That’s just me falling down

Some of us are free and some are bound
Some will swim and some will drown
Some of us are saints while some are clowns
Just like me they’re all falling down

I lied to the nation while my reputation ran dry
From my lungs to my liver, I clung to the river bank’s side
Now I’m back in the water doing what I ought to and trying to lead an ordinary life

Is this world spinning round?
Has this ship run aground?
What’s that shape?
What’s that sound?
That’s just me falling down

Some of us are green while some are brown
Some are lost and some are found
Sight unseen and sound on sound
Pray for me, I’m falling down

I was lost in the jungle and crossed over enemy lines
I got a red nose by sleeping under hedgerows at night
I tried levitation, and flying in formation, but heaven knows the weight of these crimes

Is this world spinning round?
Has this ship run aground?
What’s that shape?
What’s that sound?
That’s just me falling down

Falling down

Low-End on Guitar, High-End Vox

ZZ Top bassist and supporting/co-vocalist Dusty Hill passed away last Wednesday. While he lived a good, full and productive musical life (and I would expect in general), it still hurts to know he isn’t around anymore. The three men from the world’s most seasoned power trio had been together for more than fifty years. And though it seemed like it could never happen, now the legendary Little Ol’ Band from Tejas is down to two of its three original members.

I took a History of Jazz & Rock class back in my first year of college (and last year of high school). One day, early on in the semester, our professor asked everyone which band, act, or group had been together the longest without having lost, fired and/or replaced a member(s). Was there any band that had lasted more than 20 years, 25 years, 30 years..? I don’t remember exactly how it all went down, but either he gave an answer of his own or he presented the question to all of us; regardless, the correct answer was never given. I recall leaving class that day feeling that something huge was just missed by everyone, and possibly by our music teacher too, and it’s something that stuck with me for quite some time. Eventually I was able to piece it all together and realize it was because the name ZZ Top—at this time well short of its eventual 51 year run which ended with Dusty passing—was actually the right answer. No other band came anywhere close, then or now.

In fact, not only did the band’s name never come up that entire class period, I don’t think it came up once the entire semester. This is probably not surprising though: ZZ Top is one of those bands that pretty much everybody likes, but most have no concept of how much depth actually exists to the band, its members, and their sound. Usually they’re regarded a goofy blues-rock band that wrote the mega-hits La Grange and Sharp Dressed Man, released the 10-million-plus-selling blockbuster Eliminator in the early 1980s, and somehow were always on the road touring with a distinctly fun-loving stage presence. Yet for a small percentage of the band’s listeners, we go absolutely ga-ga for ZZ Top and are laser-focused on the unassumed complexity that exists. Even a smaller chunk of these people understand that ZZ Top was an established supergroup the instant they also became a regular group. Billy Gibbons is a fantastic frontman and wonderfully talented musician, but don’t doubt that both Dusty and Frank are musically loaded for bear.

In particular, it’s easy to argue that Dusty had the best set of pipes in the band. Listen to him belt out his lines in the song Ten Dollar Man off 1976’s Tejas, or the call-and-response with Billy on Beer Drinkers & Hell Raisers from 1973’s Tres Hombres. While he always provided backup vocals and harmonies, Dusty’s vocal prowess was featured less in the 1980s and beyond, but he still could sing like few rock musicians can. The most immediate analogue of to Billy and Dusty I can think of is the supergroup Band of Gyspys with Buddy Miles’ vocals taking a backseat to Jimi’s: Jimi was typically up front singing, but Buddy would still let it rip or take on full duties for a song.

I guess the point is that having Dusty Hill as your backup singer is like having a flamethrower as a secondary weapon to complement a sawed-off shotgun. Plus he was one-half of the rhythm section in a widely accomplished and celebrated blues-rock band that somehow held things together for more than half a century. It’s impossible to describe how meaningful that is….

The pictures above are of an original 70s-era ZZ Top poster hanging in my music room with Dusty and Billy making it happen. Maybe it’s odd to see the guitar duo surrounded by heavy metal bands, but it shouldn’t be—you better believe that ZZ Top is as heavy as it gets.


Beer Drinkers & Hell Raisers icon-external-link-12x12 icon-search-12x12 (track 03 from the Tres Hombres LP by ZZ Top icon-external-link-12x12 icon-search-12x12 )
“Beer Drinkers & Hell Raisers” Song Lyrics icon-external-link-12x12 icon-search-12x12
Heard It on the X icon-external-link-12x12 icon-search-12x12 (track 07 from the Fandango! LP)
“Heard It on the X” Song Lyrics icon-external-link-12x12 icon-search-12x12
Tush icon-external-link-12x12 icon-search-12x12 (track 08 from the Fandango! LP)
“Tush” Song Lyrics icon-external-link-12x12 icon-search-12x12
Ten Dollar Man icon-external-link-12x12 icon-search-12x12 (track 06 from the Tejas LP)
“Ten Dollar Man” Song Lyrics icon-external-link-12x12 icon-search-12x12