The Old Message

Excerpt from the novel Neuromancer icon-external-link-12x12 icon-search-12x12 by William Gibson icon-external-link-12x12 icon-search-12x12

William Gibson's "Neuromancer" novel art. [Formatted]

     “And that’s the last thing you remember?” He watched her scrape the last of the freeze-dried hash from the rectangular steel box cover that was their only plate.
     She nodded, her eyes huge in the firelight. “I’m sorry, Case, honest to God. It was just the shit, I guess, an’ it was…” She hunched forward, forearms across her knees, her face twisted for a few seconds with pain or its memory. “I just needed the money. To get home, I guess, or… hell,” she said, “you wouldn’t hardly talk to me.”
     “There’s no cigarettes?”
     “Goddam, Case, you asked me that ten times today! What’s wrong with you?” She twisted a strand of hair into her mouth and chewed at it.
     “But the food was here? It was already here?”
     “I told you, man, it was washed up on the damn beach.”
     “Okay. Sure. It’s seamless.”
     She started to cry again, a dry sobbing. “Well, damn you anyway, Case,” she managed, finally, “I was doin’ just fine her by myself.”
     He got up, taking his jacket, and ducked through the doorway, scraping his wrist on rough concrete. There was no moon, no wind, sea sound all around him in the darkness. His jeans were tight and clammy. “Okay,” he said to the night, “I buy it. I guess I buy it. But tomorrow some cigarettes better wash up.” His own laughter startled him. “A case of beer wouldn’t hurt, while you’re at it.” He turned and re-entered the bunker.
     She was stirring the embers with a length of silvered wood. “Who was that, Case, up in your coffin in Cheap Hotel? Flash samurai with those silver shades, black leather. Scared me, and after, I figured maybe she was your new girl, ‘cept she looked like more money than you had….” She glanced back at him. “I’m real sorry I stole your RAM.”
     “Never mind,” he said. “Doesn’t mean anything. So you just took it over to this guy and had him access it for you?”
     “Tony,” she said. “I’d been seein’ him, kinda. He had a habit an’ we… anyway, yeah, I remember him running it by on this monitor, and it was this real amazing graphics stuff, and I remember wonderin’ how you—”
     “There wasn’t any graphics in there,” he interrepted.
     “Sure was. I just couldn’t figure how you’d have all those pictures of when I was little, Case. How my daddy looked, before he left. Gimme this duck one time, painted wood, and you had a picture of that….”
     “Tony see it?”
     “I don’t remember. Next thing, I was on the beach, real early, sunrise, those birds all yellin’ so lonely. Scared ’cause I didn’t have a shot on me, nothing’, an’ I knew I’d be gettin’ sick…. An’ I walked an’ walked, ’til it was dark, an’ found this place, an’ next day the food washed in, all tangled in the green sea stuff like leaves of hard jelly.” She slid her stick into the embers and left it there. “Never did get sick,” she said, as embers crawled. “Missed cigarettes more. How ’bout you, Case? You still wired?” Firelight dancing under her cheekbones, remembered flash of Wizard’s Castle and Tank War Europa.
     “No,” he said, and then it no longer mattered, what he knew, tasting the salt of her mouth where tears had dried. There was a strength that ran in her, something he’d known in Night City and held there, been held by it, held for a while away from time and death, from the relentless Street that hunted them all. It was a place he’d known before; not everyone could take him there, and somehow he always managed to forget it. Something he’d found and lost so many times. It belonged, he knew—he remembered—as she pulled him down, to the meat, the flesh the cowboys mocked. It was a vast thing, beyond knowing, a sea of information coded in spiral and pheromone, infinite intricacy that only the body, in its strong blind way, could ever read.
     The zipper hung, caught, as he opened the French fatigues, the coils of toothed nylon clotted with salt. He broke it, some tiny metal part shooting of against the wall as salt-rotten cloth gave, and then he was in her, effecting the transmission of the old message. Here, even here, in a place he knew for what it was, a coded model of some stranger’s memory, the drive held.
     She shuddered against him as the stick caught fire, a leaping flare that threw their locked shadows across the bunker wall.
     Later, as they lay together, his hand between her thighs, he remembered her on the beach, the white foam pulling at her ankles, and he remembered what she had said.
     “He told you I was coming,” he said.
     But she only rolled against him, buttocks against his thighs, and put her hand over his, and muttered something out of dream.

Thank Your Stars You’re Not that Way

Carnies icon-external-link-12x12 icon-search-12x12 (track 05 from the Clockwork Angels LP by Rush icon-external-link-12x12 icon-search-12x12 )
“Carnies” Song Lyrics icon-external-link-12x12 icon-search-12x12

Rush's "Clockwork Angels" album cover. [Formatted]

Seven Cities of Gold icon-external-link-12x12 icon-search-12x12 (track 07 from the Clockwork Angels LP)
“Seven Cities of Gold” Song Lyrics icon-external-link-12x12 icon-search-12x12
Wish Them Well icon-external-link-12x12 icon-search-12x12 (track 11 from the Clockwork Angels LP)
“Wish Them Well” Song Lyrics icon-external-link-12x12 icon-search-12x12

Away You Will Stray and Never Come Back to Those Who Love and Made You

For Those Who Love to Live icon-external-link-12x12 icon-search-12x12 (track 02 from the Fighting LP by Thin Lizzy icon-external-link-12x12 icon-search-12x12 )
“For Those Who Love to Live” Song Lyrics icon-external-link-12x12 icon-search-12x12

Thin Lizzy's "Fighting" album cover. [Formatted]

Suicide icon-external-link-12x12 icon-search-12x12 (track 03 from the Fighting LP)
“Suicide” Song Lyrics icon-external-link-12x12 icon-search-12x12
Wild One icon-external-link-12x12 icon-search-12x12 (track 04 from the Fighting LP)
“Wild One” Song Lyrics icon-external-link-12x12 icon-search-12x12

Album Haul, November 2018 Edition

A smörgåsbord of bands and artists this time around.

Finally picked up a Butthole Surfers icon-external-link-12x12 album—I’ve been meaning to do that since I saw them on an episode of Beavis and Butt-head icon-external-link-12x12 some time back.

Protest the Hero icon-external-link-12x12 seems to be a pretty solid heavy metal band. On first listen, I was actually reminded of the sonic characteristics of Avenged Sevenfold icon-external-link-12x12, with the major difference being that the music is actually enjoyable to listen to. Too bad the Hot Topic icon-external-link-12x12 era of heavy metal doesn’t have clue what constitutes quality music—just give them lots of skull-imagery, and songs with contrived Halloween-style lyrics and redundant chugging guitar riffs.

Also, major props to Haken icon-external-link-12x12 for working plenty of Gentle Giant icon-external-link-12x12 worship into their songs. The latter is such a criminally overlooked and underappreciated band; the former probably is too.


Haken
→ Restoration
→ The Mountain

Haken's "The Mountain" album art. [Formatted]

Animals as Leaders
→ The Joy of Motion

Animals as Leaders' "The Joy of Motion" album art. [Formatted]

Butthole Surfers
→ Independent Worm Saloon

Constantines
→ Kensington Heights

Protest the Hero
→ Fortress

Protest the Hero's "Fortress" album art. [Formatted]

Melvins
→ Bullhead

Skinny Puppy
→ VIVIsectIV

Skinny Puppy's "VIVIsectVI" album art. [Formatted]

Michael Manring
→ Thonk

Angel Witch
→ Angel Witch

Steven Wilson
→ To the Bone

Steven Wilson's "To the Bone" album art. [Formatted]