Three Specimens of the MIDI Ditty

Magitek Research Facility icon-external-link-12x12 icon-search-12x12 (track from Final Fantasy VI icon-external-link-12x12 icon-search-12x12 by SquareSoft icon-external-link-12x12 icon-search-12x12 )

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Strago’s Theme icon-external-link-12x12 icon-search-12x12 (track from Final Fantasy VI icon-external-link-12x12 icon-search-12x12 )
Johnny C. Bad icon-external-link-12x12 icon-search-12x12 (track from Final Fantasy VI icon-external-link-12x12 icon-search-12x12 )

Humorous Flaws in Futuristic Imagery

Chrono Trigger icon-external-link-12x12 icon-search-12x12 is considered to be one of the best video games of the 90s. It’s a role-playing game (RPG) made by the same company that produced the incredibly popular Final Fantasy icon-external-link-12x12 icon-search-12x12 franchise. The goal of the game, in a nutshell, is to travel through time and alter the course of history to prevent cataclysm. The player visits many different versions of the Earth as he or she leaps from one epoch to another, including a post-apocalyptic world where people are forced to live in cities surrounded by protective bubbles.

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These bubbles are presumably to create pockets of habitation on a planet that is so ruined it can no longer sustain life. Clearly, things aren’t going so well: it’s the type of scene that suggests everyone consumes double-helpings of soylent green icon-external-link-12x12 icon-search-12x12 for breakfast, lunch and dinner.

Before the calamity that would destroy the planet, people lived in a verdant paradise, where the oceans glistened in their azure purity and the mountaintops towered vigilantly over the land. Posterity seemed ensured.

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Yet there was something very unusual about the people of this land: in the futuristic society that existed immediately before the destruction of the planet, everyone chose to isolate themselves from nature and erect protective bubbles around their highly pollutant cities.

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It is impossible not to be vexed by the peculiar sense of priority these people placed on nature. In fact, this exemplifies a particularly extreme form of environmentalism that is very rarely practiced with any degree of success: where humans resolve to endure their own waste. The people of Chrono Trigger were progressive indeed—so much so that they were going to destroy themselves before they allowed their actions to hurt the planet. It’s truly a stroke of bad luck that the alien parasite Lavos, who unceremoniously crash-landed in the year 65,000,000 B.C., was about to emerge and lay waste to the land.

Who the @!#?@! is Schala…

…and how in the world did she end up with this song?!?

Schala’s Theme icon-external-link-12x12 icon-search-12x12 (track from Chrono Trigger icon-external-link-12x12 icon-search-12x12 by Yasunori Mitsuda icon-external-link-12x12 icon-search-12x12 by SquareSoft icon-external-link-12x12 icon-search-12x12 )

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This is perhaps the best track in Chrono Trigger—and arguably one of the most wonderful compositions in a video game—yet it couldn’t have been used less effectively. The sequence in all of its glorious mundanity can be experienced by watching a variety of videos on YouTube icon-external-link-12x12 icon-search-12x12.

According to its placement within the game, you would expect that the song was about to end up on the cutting room floor. In actuality, assigning it to Schala, her temperamental little brother Janus, and her little brother’s rude kitty cat is more likely to be due to time constraints and poor planning than an inability to recognize potential.