Excerpt from the novel Cryptonomicon by Neal Stephenson

     Bobby Shaftoe knows nothing of his future. All he knows is that he has been promoted to sergeant, detached from his former unit (no great adjustment, since he is the only surviving member of his platoon) and reassigned to some unheard-of branch of the Corps in Washington, D.C.
     D.C.’s a busy place, but last time Bobby Shaftoe checked the newspapers, there wasn’t any combat going on there, and so it’s obvious he’s not going to get a combat job. He’s done his bit anyway, killed many more than his share of Nips, won his medals, suffered from his wounds. As he lacks administrative training, he expects that his new assignment will be to travel around the country being a war hero, raising morale and suckering young men into jointing the Corps.
     He reports, as ordered, to Marine Barracks, Washington, D.C. It’s the Corps’s oldest post, a city block halfway between the Capitol and the Navy Yard, a green quadrangle where the Marine Band struts and the drill team drills. He half expects to see strategic reserves of spit and of polish stored in giant tanks nearby.
     Two Marines are in the office: a major, who is his new, nominal commanding officer, and a colonel, who looks and acts like he was born here. It is shocking beyond description that two such personages would be there to greet a mere sergeant. Must be the Navy Cross that got their attention. But these Marines have Navy Crosses of their own—two or three apiece.
     The major introduces the colonel in a way that doesn’t really explain a damn thing to Shaftoe. The colonel says next to nothing; he’s there to observe. The major spends a while fingering some typewritten documents.
     “Says right here you are gung-ho.”
     “Sir, yes, sir!”
     “What the hell does that mean?”
     “Sir, it is a Chinese word! There’s a Communist there, name of Mao, and he’s got an army. We tangled with ’em on more’n one occasion, sir. Gung-ho is their battle cry, it means ‘all together’ or something like that, so after we got done kicking the crap out of them, sir, we stole it from them, sir!”
     “Are you saying you have gone Asiatic like those other China Marines, Shaftoe?”
     “Sir! On the contrary, sir, as I think my record demonstrates, sir!”
     “You really think that?” the major says incredulously. “We have an interesting report here on a film interview that you did with some soldier named Lieutenant Reagan.”
     “Sir! This Marine apologizes for his disgraceful behavior during that interview, sir! This Marine let down himself and his fellow Marines, sir!”
     “Aren’t you going to give me an excuse? You were wounded. Shellshocked. Drugged. Suffering from malaria.”
     “Sir! There is no excuse, sir!”
     The major and the colonel nod approvingly at each other.
     This “sir, yes sir” business, which would probably sound like horseshit to any civilian in his right mind, makes sense to Shaftoe and to the officers in a deep and important way. Like a lot of others, Shaftoe had trouble with military etiquette at first. He soaked up quite a bit of it growing up in a military family, but living the life was a different matter. Having now experienced all the phases of military existence except for the terminal ones (violent death, court-martial, retirement), he has come to understand the culture for what it is: a system of etiquette within which it becomes possible for groups of men to live together for years, travel to the ends of the earth, and do all kinds of incredibly weird shit without killing each other or completely losing their minds in the process. The extreme formality with which he addresses these officers carries an important subtext: your problem, sir, is deciding what you want me to do, and my problem, sir, is doing it. My gung-ho posture says that once you give the order I’m not going to bother you with any of the details—and your half of the bargain is you had better stay on your side of the line, sir, and not bother me with any of the chickenshit politics that you have to deal with for a living. The implied responsibility placed upon the officer’s shoulders by the subordinate’s unhesitating willingness to follow orders is a withering burden to any officer with half a brain, and Shaftoe has more than once seen seasoned noncoms reduce green lieutenants to quivering blobs simply by standing before them and agreeing, cheerfully, to carry out their orders.
     “This Lieutenant Reagan complained that you kept trying to tell him a story about a lizard,” the major says.
     “Sir! Yes, sir! A giant lizard, sir! An interesting story, sir!” Shaftoe says.
     “I don’t care,” the major says. “The question is, was it an appropriate story to tell in that circumstance?”
     “Sir! We were making our way around the coast of the island, trying to get between these Nips and a Tokyo Express landing site, sir! . . .” Shaftoe begins.
     “Shut up!”
     “Sir! Yes, sir!”
     There is a sweaty silence that is finally broken by the colonel. “We had the shrinks go over your statement, Sergeant Shaftoe.”
     “Sir! Yes, sir!”
     “They are of the opinion that the whole giant lizard thing is a classic case of projection.”
     “Sir! Could you please tell me what the hell that is, sir!”
     The colonel flushes, turns his back, peers through blinds at sparse traffic out on Eye Street. “Well, what they are saying is that there really was no giant lizard. That you killed that Jap in hand-to-hand combat. And that your memory of the giant lizard is basically your id coming out.”
     “Id, sir!”
     “That there is this id thing inside your brain and that it took over and got you fired up to kill that Jap bare-handed. Then your imagination dreamed up all this crap about the giant lizard afterwards, as a way of explaining it.”
     “Sir! So you are saying that the lizard was just a metaphor, sir!”
     “Yes.”
     “Sir! Then I would respectfully like to know how that Nip got chewed in half, sir!”
     The colonel screws up his face dismissively. “Well, by the time you were rescued by that castwatcher, Sergeant, you had been in that cove for three days along with all of those dead bodies. And in that tropical heat with all those bugs and scavengers, there was no way to tell from looking at that Jap whether he had been chewed up by a giant lizard or run through a brush chipper, if you know what I mean.”
     “Sir! Yes I do, sir!”
     The major goes back to the report. “This Reagan fellow says that you also repeatedly made disparaging comments about General MacArthur.”
     “Sir, yes, sir! He is a son of a bitch who hates the Corps, sir! He is trying to get us all killed, sir!”
     The major and the colonel look at each other. It is clear that they have, wordlessly, just arrived at some decision.
     “Since you insist on reenlisting, the typical thing would be to have you go around the country showing off your medals and recruiting young men into the Corps. But this lizard story kind of rules that out.”
     “Sir! I do not understand, sir!”
     “The Recruitment Office has reviewed your file. They have seen Reagan’s report. They are nervous that you are going to be in West Bumfuck, Arkansas, riding in the Memorial Day parade in your shiny dress uniform, and suddenly you are going to start spouting all kinds of nonsense about lizards and scare everyone shitless and put a kink in the war effort.”
     “Sir! I respectfully—”
     “Permission to speak denied,” the major says. “I won’t even get into your obsession with General MacArthur.”
     “Sir! The general is a murdering—”
     “Shut up!”
     “Sir! Yes, sir!”
     “We have another job for you, Marine.”
     “Sir! Yes, sir!”
     “You’re going to be part of something very special.”
     “Sir! The Marine Raiders are already a very special part of a very special Corps, sir!”
     “That’s not what I mean. I mean that this assignment is . . . unusual.” The major looks over at the colonel. He is not sure how to proceed.
     The colonel puts his hand in his pocket, jingles coins, then reaches up and checks his shave.
     “It is not excatly a Marine Corps assignment,” he finally says. “You will be part of a special international detachment. An American Marine Raider platoon and a British Special Air Services squadron, operating together under one command. A bunch of tough hombres who’ve shown they can handle any assignment, under any conditions. Is that a fair description of you, Marine?”
     “Sir! Yes, sir!”
     “It is a very unusual setup,” the colonel muses, “not the kind of thing that military men would ever dream up. Do you know what I’m saying, Shaftoe?”
     “Sir, no, sir! But I do detect a strong odor of politics in the room now, sir!”
     The colonel gets a little twinkle in his eye, and glances out the window towards the Capitol dome. “These politicians can be real picky about how they get things done. Everything has to be just so. They don’t like excuses. Do you follow me, Shaftoe?”
     “Sir! Yes, sir!”
     “The Corps had to fight to get this. They were going to make it an Army thing. We pulled a few strings with some former Naval persons in high places. Now the assignment is ours. Some would say, it is ours to screw up.”
     “Sir! The assignment will not be screwed up, sir!”
     “The reason that son of a bitch MacArthur is killing Marines like flies down in the South Pacific is because sometimes we don’t play the political game that well. If you and your new unit do not perform brilliantly, that situation will only worsen.”
     “Sir! You can rely on this Marine, sir!”
     “Your commanding officer will be Lieutenant Ethridge. An Annapolis man. Not much combat experience, but knows how to move in the right circles. He can run interference for you at the political level. The responsibility for getting things done on the ground will be entirely yours, Sergeant Shaftoe.”
     “Sir! Yes, sir!”
     “You’ll be working closely with British Special Air Service. Very good men. But I want you and your men to outshine them.”
     “Sir! You can count on it, sir!”
     “Well, get ready to ship out, then,” the major says. “You’re on your way to North Africa, Sergeant Shaftoe.”

Excerpt from the novel Cryptonomicon by Neal Stephenson

     Bobby Shaftoe has become a connoisseur of nightmares. Like a fighter pilot ejecting from a burning plane, he has just been catapulted out of an old nightmare, and into a brand-new, even better one. It is creepy and understated; no giant lizards here.
     It begins with heat on his face. When you take enough fuel to push a fifty-thousand-ton ship across the Pacific Ocean at twenty-five knots, and put it all in one tank and the Nips fly over and torch it all in a few seconds, while you stand close enough to see the triumphant grins on the pilots’ faces, then you can feel the heat on your face in this way.
     Bobby Shaftoe opens his eyes, expecting that, in so doing, he is raising the curtain on a corker of a nightmare, probably the final moments of Torpedo Bombers at Two O-Clock! (his all-time favorite) or the surprise beginning of Strafed by Yellow Men XVII.
     But the sound track to this nightmare does not seem to be running. It is as quiet as an ambush. He is sitting up in a hospital bed surrounded by a firing squad of hot klieg lights that make it difficult to see anything else. Shaftoe blinks and focuses on an eddy of cigarette smoke hanging in the air, like spilled fuel oil in a tropical cove. It sure smells good.
     A young man is sitting near his bed. All that Shaftoe can see of this man is an asymmetrical halo where the lights glance from the petroleum glaze on his pompadour. And the red coal of his cigarette. As he looks more carefully he can make out the silhouette of a military uniform. Not a Marine uniform. Lieutenant’s bars gleam on his shoulders, light shining through double doors.
     “Would you like another cigarette?” the lieutenant says. His voice is hoarse but weirdly gentle.
     Shaftoe looks down at his own hand and sees the terminal half-inch of a Lucky Strike wedged between his fingers.
     “Ask me a tough one,” he manages to say. His own voice is deep and slurred, like a gramophone winding down.
     The butt is swapped for a new one. Shaftoe raises it to his lips. There are bandages on that arm, and underneath them, he can feel grievous wounds trying to inflict pain. But something is blocking the signals.
     Ah, the morphine. It can’t be too bad of a nightmare if it comes with morphine, can it?
     “You ready?” the voice says. God damn it, that voice is familiar.
     “Sir, ask me a tough one, sir!” Shaftoe says.
     “You already said that.”
     “Sir, if you ask a Marine if he wants another cigarette, or if he’s ready, the answer is always the same, sir!”
     “That’s the spirit,” the voice says. “Roll film.”
     A clicking noise starts up in the outer darkness beyond the klieg light firmament. “Rolling,” says a voice.
     Something big descends towards Shaftoe. He flattens himself into the bed, because it looks exactly like the sinister eggs laid in midair by Nip dive-bombers. But then it stops and just hovers there.
     “Sound,” says another voice.
     Shaftoe looks harder and sees that it is not a bomb but a large bullet-shaped microphone on the end of a boom.
     The lieutenant with the pompadour leans forward now, instinctively seeking the light, like a traveler on a cold winter’s night.
     It is that guy from the movies. What’s-his-name. Oh, yeah!
     Ronald Reagan has a stack of three-by-five cards in his lap. He skids up a new one: “What advice do you, as the youngest American fighting man ever to win both the Navy Cross and the Silver Star, have for any young Marines on their way to Guadalcanal?”
     Shaftoe doesn’t have to think very long. The memories are still fresh as last night’s eleventh nightmare: ten plucky Nips in Suicide Charge!
     “Just kill the one with the sword first.”
     “Ah,” Reagan says, raising his waxed and penciled eyebrows, and cocking his pompadour in Shaftoe’s direction. “Smarrrt—you target them because they’re the officers, right?”
     “No, fuckhead!” Shaftoe yells. “You kill ’em because they’ve got fucking swords! You ever had anyone running at you waving a fucking sword?”
     Reagan backs down. He’s scared now, sweating off some of his makeup, even though a cool breeze is coming in off the bay and through the window.
     Reagan wants to turn tail and head back down to Hollywood and nail a starlet fast. But he’s stuck here in Oakland, interviewing the war hero. He flips through his stack of cards, rejects about twenty in a row. Shaftoe’s in no hurry, he’s going to be flat on his back in this hospital bed for approximately the rest of his life. He incinerates half of that cigarette with one long breath, holds it, blows out a smoke ring.
     When they fought at night, the big guns on the warships made rings of incandescent gas. Not fat doughnuts but long skinny ones that twisted around like lariats. Shaftoe’s body is saturated with morphine. His eyelids avalanche down over his eyes, blessing those orbs that are burning and swollen from the film lights and the smoke of the cigarettes. He and his platoon are racing an incoming tide, trying to get around a headland. They are Marine Raiders and they have been chasing a particular unit of Nips across Guadalcanal for two weeks, whittling them down. As long as they’re in the neighborhood, they’ve been ordered to make their way to a certain point on the headland from which they ought to be able to lob mortar rounds against the incoming Tokyo Express. It is a somewhat harebrained and reckless tactic, but they don’t call this Operation Shoestring for nothing; it is all wacky improvisation from the get-go. They are behind schedule because this paltry handful of Nips has been really tenacious, setting ambushes behind every fallen log, taking potshots at them every time they come around one of the headlands….
     Something clammy hits him on the forehead: it is the makeup artist taking a swipe at him. Shaftoe finds himself back in the nightmare within which the lizard nightmare was nested.
     “Did I tell you about the lizard?” Shaftoe says.
     “Several times,” his interrogator says. “This’ll just take another minute.” Ronald Reagan squeezes a fresh three-by-five card between thumb and forefinger, fastening onto something a little less emotional: “What did you and your buddies do in the evenings, when the day’s fighting was done?”
     “Pile up dead Nips with a bulldozer,” Shaftoe says, “and set fire to ’em. Then go down to the beach with a jar of hooch and watch our ships get torpedoed.”
     Reagan grimaces. “Cut!” he says, quietly but commanding. The clicking noise of the film camera stops.
     “How’d I do?” Bobby Shaftoe says as they are squeegeeing the Maybelline off his face, and the men are packing up their equipment. The klieg lights have been turned off, clear northern California light streams in through the windows. The whole scene looks almost real, as if it weren’t a nightmare at all.
     “You did great,” Lieutenant Reagan says, without looking him in the eye. “A real morale booster.” He lights a cigarette. “You can go back to sleep now.”
     “Haw!” Shaftoe says. “I been asleep the whole time. Haven’t I?”

Excerpt from the novel Cryptonomicon by Neal Stephenson

     The Marine Raiders’ bodies are no longer pressurized with blood and breath. The weight of their gear flattens them into the sand. The accelerating surf has already begun to shovel silt over them; comet trails of blood fade back into the ocean, red carpets for any sharks who may be browsing the coastline. Only one of them is a giant lizard, but all have the same general shape: fat in the middle and tailing off at the ends, streamlined by the waves.
     A little convoy of Nip boats is moving down the slot, towing barges loaded with supplies packed into steel drums. Shaftoe and his platoon ought to be lobbing mortars at them right now. When the American planes show up and begin to kick the shit out of them, the Nips will throw the drums overboard and run away, and hope that some of them will wash ashore on Guadalcanal.
     The war is over for Bobby Shaftoe, and hardly for the first or last time. He trudges among the platoon. Waves hit him in the knees, then spread into magic carpets of foam and vegetable matter that skim along the beach so that his footing appears to glide out from under him. He keeps twisting around for no reason and falling on his ass.
     Finally he reaches the corpsman’s corpse, and divests it of anything with a red cross on it. He turns his back on the Nip convoy and looks up a long glacis toward the tideline. It might as well be Mt. Everest as seen from a low base camp. Shaftoe decides to tackle the challenge on hands an knees. Every so often, a big wave spanks him on the ass, rushes up between his legs orgasmically and washes his face. It feels good and also keeps him from pitching forward and falling asleep below the high-tide mark.
     The next couple of days are a handful of dirty, faded black-and-white snapshots, shuffled and dealt over and over again: the beach under water, positions of corpses marked by standing waves. The beach empty. The beach under water again. The beach strewn with black lumps, like a slice of Grandma Shaftoe’s raisin bread. A morphine bottle half-buried in the sand. Small, dark people, mostly naked, moving along the beach at low tide and looting the corpses.
     Hey, wait a sec! Shaftoe is on his feet somehow, clutching his Springfield. The jungle doesn’t want to let go of him; creepers have actually grown over his limbs in the time he has lain there. As he emerges, dragging foilage behind him like a float in a ticker-tape parade, the sun floods over him like warm syrup of ipecac. He can see the ground headed his way. He spins as he falls—momentarily glimpsing a big man with a rifle—and then his face is pressed into the cool sand. The surf roars in his skull: a nice standing ovation from a studio audience of angels, who having all died themselves, know a good death when they see one.

Excerpt from the novel Cryptonomicon by Neal Stephenson

     The rest of the platoon may or may not be dead; he thinks he can still hear some of them crying out, but it’s hard to tell between the pounding of the incoming surf and the relentless patter of the machine gun. Then he realizes that some of them must be alive or else the Nips would not continue to fire their gun.
     Shaftoe knows that he is closer to the gun than any of his buddies. He is the only one who has a chance.
     It is at this point that Shaftoe makes his Big Decision. It is surprisingly easy—but then, really stupid decisions are always the easiest.
     He crawls along the log to the point that is closest to the machine gun. Then he draws a few deep breaths in a row, rises to a crouch, and vaults over the log! He has a clear view of the cave entrance now, the comet-shaped muzzle flash of the machine gun tesselated by the black grid of the net that they put up to reject incoming grenades. It is all remarkably clear. He looks back over the beach and sees motionless corpses.
     Suddenly he realizes they are still firing the gun, not because any of his buddies are alive, but to use up all of their excess ammunition so that they will not have to pack it out. Shaftoe is a grunt, and understands.
     Then the muzzle swings abruptly towards him—he has been sighted. He is in the clear, totally exposed. He can dive into the jungle foliage, bu they will sweep it with fire until he is dead. Bobby Shaftoe plants his feet, aims his .45 into the cave, and begins pulling the trigger. The barrel of the machine gun is pointing at him now.
     But it does not fire.
     His .45 clicks. It’s empty. Everything is silent except for the surf, and for the screaming. Shaftoe holsters his .45 and pulls out his revolver.
     The voice that is doing the screaming is unfamiliar. It’s not one of Shaftoe’s buddies.
     A Nipponese Imperial Marine bolts from the mouth of the cave, up above the level of Shaftoe’s head. The pupil of Shaftoe’s right eye, the sights of his revolver, and this Nip are all arranged briefly along the same line for a moment, during which Shaftoe pullso the trigger a couple of times and almost certainly scores a hit.
     The Imperial Marine gets caught in the netting and plunges to the ground in front of him.
     A second Nip dives out of the cave a moment later, grunting incoherently, apparently speechless with horror. He lands wrong and breaks one of his leg bones; Shaftoe can hear it snap. He begins running towards the surf anyway, hobbling grotesquely on the bad leg. He completely ignores Shaftoe. There is terrible bleeding from his neck and shoulder, and loose chunks of flesh flopping around as he runs.
     Bobby Shaftoe holsters his revolver. He ought to shoulder his rifle and plug the guy, but he is too confused to do anything for the moment.
     Something red flickers in the mouth of the cave. He glances up that way and sees nothing clear enough to register against the deafening visual noise of the jungle.
     Then he sees the flash of red again, and it disappears again. It was shaped like a sharpened Y. It was shaped like the forked tongue of a reptile.
     Then a moving slab of living jungle explodes from the mouth of the cave and crashes into the foliage below. The tops of the plants shake and topple as it moves.
     It is out, free and clear, on the beach. It is low to the ground, moving on all fours. It pauses for a moment and flicks its tongue towards the Imperial Marine who is now hobbling into the Pacific Ocean some fifty feet distant.
     Sand erupts into the air, like smoke from the burning tires of a drag racer, and the lizard is rocketing across the beach. It covers the distance to the Imperial Marine in one, two, three seconds, takes him in the backs of his knees, takes him down hard into the surf. Then the lizard is dragging the dead Nip back up onto the land. It stretches him out there among the dead Americans, walks around him a couple of times, flicking its tongue, and finally starts to eat him.